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Jean - Andre Rixens Death of Cleopatra oil painting reproduction


Jean - Andre Rixens

Death of Cleopatra
French, 1846 - 1924
1874. Oil on canva. 78 x 113 in. (200 x 290 cm). Musee des Augustins, Toulouse, France. Bridgeman Art Library.
Painting ID::  61965
 

 

Johann Liss Death of Cleopatra oil painting reproduction


Johann Liss

Death of Cleopatra

Oil on canvas Dimensions
Painting ID::  70568
 

 

Johann Liss Death of Cleopatra oil painting reproduction


Johann Liss

Death of Cleopatra

1622-24 Oil on canvas 97,5 X 85,5 cm cjr
Painting ID::  72557
 

 

LISS, Johann Death of Cleopatra oil painting reproduction


LISS, Johann

Death of Cleopatra
German Baroque Era Painter, ca.1597-1631
Date 1622-24 Medium Oil on canvas Dimensions 97,5 X 85,5 cm cyf
Painting ID::  74318
 

 

Guido Cagnacci Death of Cleopatra oil painting reproduction


Guido Cagnacci

Death of Cleopatra

nach 1659 Medium Oil on canvas Dimensions Deutsch: 153 x 168,5 cm cjr
Painting ID::  81557
 

 

Guido Cagnacci Death of Cleopatra oil painting reproduction


Guido Cagnacci

Death of Cleopatra

nach 1659 Medium Oil on canvas cyf
Painting ID::  85569
 

 

Guido Cagnacci
(January 19, 1601 - 1663) was an Italian painter of the late-Baroque period, belonging to the Forle painting school and to the Bolognese School. Born in Santarcangelo di Romagna near Rimini, he died in Vienna in 1663. He worked in Rimini from 1627 to 1642. After that, he was in Forle, where absorbed the lesson of the Melozzo's painting. Prior to that he had been in Rome, in contact with Guercino, Guido Reni and Simon Vouet. He may have had an apprenticeship with the elderly Ludovico Carracci. His initial output includes many devotional subjects. But moving to Venice under the name of Guico Baldo Canlassi da Bologna, he renewed a friendship with Nicolas Regnier, and dedicated himself to private salon paintings, often depicting sensuous naked women from thigh upwards, including Lucretia, Cleopatra, and Mary Magdalene.This allies him to a strand of courtly painting, epitomized in Florence by Francesco Furini, Simone Pignoni and others. In 1650, he moved to Venice. In 1658, he traveled to Vienna, where he remained under patronage of the emperor Leopold I. His life was at times tempestuous, as characterized by his failed elopement (1628) with an aristocratic widow. Some contemporaries remark him as eccentric, unreliable and of doubtful morality. He is said to have enjoyed the company of cross-dressing models.
Death of Cleopatra
nach 1659 Medium Oil on canvas cyf

        
   
 

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